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01452_Field_104.cap.txt
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1996-03-14
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117 lines
@
Olga's immense
popularity was
almost a political
phenomenon: at
the height of the
cold war, the
western world
suddenly fell
head-over-heels
in love with a
grinning little
acrobat from
behind the
Iron Curtain
#
Although Olympic
gymnastics was
ostensibly an
amateur pastime,
the Soviet system
required sports
stars to follow
professional
- and punishing -
training regimes.
There were also
persistent rumours
about the use of
growth-preventing
drug-taking
#
Olga was unlike
any previous
gymnast. Before
Korbut, even
dance routines
were performed
with the icy
discipline of a
military drill.
Olga had the
discipline, but
she transformed
women's gym-
nastics into
something more
like an art form
#
The crowds always
believed that
Tourischeva was
Korbut's closest
rival. In fact it
was the other
way round: Olga
the artist was
second-best to
Tourischeva the
technician
#
A gymnast's
career is shorter
than most. Retire-
ment comes with
adolescence. Life
after competition
was not easy for
Olga. She had a
difficult relation-
ship with the
Soviet authorities
and following the
nuclear accident
at Chernobyl fled
to the United
States. She
settled in New
Jersey in 1990
#
Where Olga led
others followed.
The 1976 Montreal
Games saw a new
champion who had
the personality of
a Korbut and the
technicality of a
Tourischeva. The
Romanian gymnast
Nadia Comaneci,
aged 14, scored a
string of perfect
tens, a feat the
scoreboards were
not even progra-
mmed to register
#
Today's women
gymnasts were not
born when Olga
astonished the
world at the
Munich Games.
Though the sport
has advanced to
the point where
any decent
amateur can do
Olga's moves, she
is still the
sporting standard
against which
others are judged
@